|
Antoine Ignace Melling (1763–1831) was a painter, architect and voyager who is counted among the “Levantine Artists”. He is famous for his vedute of Constantinople, a town where he lived for 18 years. He was imperial architect to Sultan Selim III and Hatice Sultan and later landscape painter to the Empress Josephine of France. His most influential work is published as ''Voyage pittoresque de Constantinople et des rives du Bosphore''. Melling's two given names are often written in hyphenated form as Antoine-Ignace. ==Biography== Antoine Ignace (Anton Ignaz) Melling was born in Karlsruhe in 1763. After the death of his sculptor father, Antoine lived with his painter uncle, Joseph Melling, in Strassbourg (Alsace). As a young man he visited his older brother, and studied Architecture and Mathematics at Klagenfurt. At the age of 19, he went to Italy, Egypt, and finally Constantinople as a member of the Russian Ambassador's retinue and household with the aim of drawing pictures for various dignitaries. He was introduced to princess Hatice Sultan, sister and confidant of the Ottoman Sultan Selim III. At Hatice Sultan's suggestion, Melling was employed as Imperial Architect by Selim III. In 1795 the princess commissioned Melling to design a labyrinth for her palace at Ortaköy in the style of the Danish ambassador Baron Hübsch's garden. Delighted with the result, she asked Melling to redecorate the palace interior, and subsequently, a completely new neoclassical palace at Defterdarburnu. He also designed clothes and jewellery for her. Melling Pasha's eighteen years as Imperial Architect gave him a privileged opportunity to observe the Ottoman Court. He became more familiar with the Ottoman palace than any Western artist since Gentile Bellini. He made many detailed drawings of the Sultan's palaces, Ottoman society, and vedute of Constantinople and its environs. He was rightly known as "the unrivalled painter of the Bosphorus". As stated in an anonymous travelogue written in about 1817, "Sometimes these pictures contain an excessive amount of detail in an endeavour to reflect the reality but they depict the modern buildings and landscapes of this city, every view of which is attractive, in a manner more successful than that achieved in the most sensitive written descriptions." He worked in a far more realistic manner than Matthäus Merian (1593–1650). Merian’s panorama engraving of Constantinople, published in 1653 and extensively reprinted, whilst claiming to represent the view of the city from the heights of Galata and Beyoğlu, depicts Ottoman capital as a city consisting only of minarets. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Antoine Ignace Melling」の詳細全文を読む スポンサード リンク
|